Tom and jerry videos youtube 94
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Barbra Streisand took up I’m Still Here from Follies (1971), and The Ladies Who Lunch from Company. The most famous, recorded more than 500 times – notably by Frank Sinatra – was Send in the Clowns, from A Little Night Music (1973), a nostalgic almost-operetta developed from Ingmar Bergman’s 1955 film Smiles of a Summer Night. Some commercial flops resulted, but Sondheim took after Cole Porter in supplying both text and tune for a number of adorable hit songs.īernadette Petters accompanied by Stephen Sondheim in Send in the Clowns Sondheim, on the other hand, wrote both music and lyrics himself.
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The old firms – Rodgers and Hart, Rodgers and Hammerstein, and Lerner and Loewe – comprised fruitful collaborations between composers and wordsmiths. Nonetheless, new productions and film versions continued for the rest of his life and beyond, and his best work may well last longer than the more profitable musicals of his time.
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Yet, although the half-century following Hammerstein’s death in 1960 was a golden age full of long-running musicals in the West End and Broadway, and despite his considerable gifts with words and music, Sondheim never scored a true hit show. Many expected him to revive the floundering American musical, supplying new perceptiveness, relevance and verve. Sondheim saw himself as heir to Oscar Hammerstein II, who had written the lyrics for Oklahoma! (1943) and South Pacific (1949). He went on to establish a place for himself with intelligent, unconventional works such as Company (1970), Sweeney Todd (1979) and Into the Woods (1987), which brought him a following appreciative of the new departures he made, even if his chosen path was not obvious or easy. From Adele’s “Hello” to ZZ Top’s “Gimme All Your Lovin'” - these are the videos that continue to thrill us, delight us, disturb us, and remind us just how much you can do in three to four minutes with a song, a camera, a concept, a pose, some mood lighting, and an iconic hand gesture or two.Stephen Sondheim, who has died aged 91, was a leading light of musical theatre over the course of more than six decades, from the moment in 1957 when he achieved renown as Leonard Bernstein’s lyricist for West Side Story. But all of these picks are perfect examples of how pairing sound and vision created an entire artistic vocabulary, gave us a handful of miniature-movie masterpieces, and changed how we heard (and saw) music. No, “Thriller” is not.) A few pre-date the channel several have never played on MTV at all. You’ll notice some significant changes from the last time we did this. In honor of MTV’s 40th anniversary, we’ve decided to rank the top 100 music videos of all time. Four decades after the channel’s launch and long after it stopped playing them, music videos still complement songs, create mythologies, and cause chatter and controversy. The internet soon stepped in to fill the void. The format proved so durable that when MTV decided to switch things up and devote its air time to game shows, reality TV, and scripted series, thus shutting down the primary pipeline for these promos, artists still kept making them. Entire genres and subgenres - from hip-hop to grunge to boy-band pop to nu metal - became part of the mainstream. The network revolutionized the music industry, inspired a multitude of copycat programming, made many careers, and broke more than a few.
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Virtually everyone knew what a music video was, and they wanted their MTV. At this point, viewers might have a few questions, like: Is this like a radio station on TV? What is a “VJ”? And what the hell is a “music video”?Ī year later, no one was asking that last question. This wasn’t a news channel it was “Music Television.” If they kept tuning in, they’d see clips and hear VJs talk about bringing you the latest in music videos. And then they’d hear a voiceover, with all the smooth patter of an FM disc jockey: “Ladies and gentlemen, rock & roll.” Cue power chords, and a flag with a network logo - something called MTV - that rapidly changed colors and patterns.
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The familiar sight of Neil Armstrong exiting his lunar module and walking on the moon would fill the TV screen. In the wee hours of August 1st, 1981, someone flipping through their channels might have come across the image of a rocket blasting into space.